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> > Gini

Artist and wordsmith, whose work engages with issues of access, from acknowledged physical needs to perceived symbolic exclusions. After being selected as one of DAO's New Voices in 2011, Gini's online presence has become an integral part of her arts practice

Origin and Insertion.

28 October 2012


Purple text on white ground, this hard to decipher textual art reads: I like French wine and Italian food, love reggae and foreign language films; Ibsen's plays and no. i don't relate to Disability Arts, I'm not disabled.

Having trouble with the precise positioning of Kosta's pecs, I decided to try Google. Before beginning on the life-size figures I did do a lot of research, which included borrowing medical tomes and studying anatomy on-line. However I never actually Googled a specific body part, and here at my first attempt found apparently exactly what I needed: Origin and Insertion, including details of the specific ribs these muscles are attached to and how they are attached. This is particularly appropriate...

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Progressing Kosta

20 October 2012


Head and upper body photograph of Koure the female white soft sculpture figure, outside in the sunshine whith white wall and shades of green Fatsia Japonica

My struggle with just how to blog about the making of the new Con.Text (Creatives in Con.Text) is not in any way reflected in the making of or blogging about, the soft sculptures. Here I am in control of the risks and I choose to be open to the opportunities as individual words, phrases or whole conversations demand attention and result in fresh insights into how to express and possibly communicate via these evolving structures.   Small changes in posture, shaping, positioning of...

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