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> > Gini

Artist and wordsmith, whose work engages with issues of access, from acknowledged physical needs to perceived symbolic exclusions. After being selected as one of DAO's New Voices in 2011, Gini's online presence has become an integral part of her arts practice

People Like You - exhibition in waiting.

27 February 2013


Pen and ink drawing, a work in progress incorporating a 'Creatives in Con.Text' quote among 3 eyes and clawed tentacles

I'm in some strange limbo world. Five soft sculptures wait impatiently. Next week they will leave their overcrowded space and take up temporary residence in Salisbury Arts Centre. I wonder who I will be without our daily confrontation.   Creatives in Con.Text are People in Con.Text; these five, white figures reflect the conversations, echo the history of creative expression from the art of the ice age to the current search for connection and recognition that drives us into an online...

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'People Like You' - the exhibition coming to Salisbury Arts Centre in March.

23 February 2013


Words from Creatives in Con.Text hand drawn in black ink on white

Creatives in Con.Text, the work from which the idea for this exhibition exhibition evolved, is awaiting further conversation with a printer, Sue Austin and Liz Crow are finessing 'Creating the Spectacle!' (film) and 'Bedding Out' respectively; 'People Like You' is coming together. It's time to think about design; the positioning of the artwork in the space so that the whole will say more than the sum of its parts. The five...

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Getting back into the process

3 February 2013


Pen and ink drawing, random bits of bones, section of face with an eye. Black and white.

Distance is key. Moving away from intense emotional involvement with a piece of work, focusing elsewhere, will often reveal unexpected omissions and surprises both good and bad. This is a process I like to be in control of, so when I feel myself being torn away by random circumstance, I cling on desperately until I am forced to admit the untimely break. I make, I write, I draw to feel sane, to feel alive and in communion with something other and far greater than me. There are always...

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