Art-induced Confusion - another very personal reaction to an exhibition
15 March 2014
Blog
Rolling through the empty Cathedral Close on a chilly grey morning, I was intrigued to see a delivery of large, assorted carved and uncarved stones. They were being steadfastly ignored by Frink's Walking Madonna, but I was curious and open to anticipation. Previous sculptures have, on the whole, worked well with the almost 800 year old building and the atmosphere of its surrounding Close. I wondered how long it would take to assemble the jumble strewn out over the grass. It was like being...
