When I originally wrote my play Impisi my intention was for it to be performed by actors – both professional and amateur, both disabled and not – and for audiences made up of the general public. The play encourages us to look at some of the issues around disability while being entertained at the same time. But I have found that most interest in performing the play has come from organisations for disabled people. Is this preaching to the converted? If so does it matter? If a...

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